http://www.sadiashirazi.com/curating/136-mb-exhibition-without-objects daily 0.75 2020-11-10 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580705123053-B8AAVOK3EKYU9864MX1L/Untitled-3.jpg 136 MB / Exhibition Without Objects https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580705121264-J22C3RC10SCHR8YDXG4E/DSC_0339.jpg 136 MB / Exhibition Without Objects https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580705121543-IOSZF56DZJWFBCOHOMN5/DSC_0353.jpg 136 MB / Exhibition Without Objects https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580705122362-55YLORWEWCA8KLIBT88V/IMG_4685.JPG 136 MB / Exhibition Without Objects https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580705122509-QPALUU5ZGW9NSIB346B5/IMG_4765_SS.JPG 136 MB / Exhibition Without Objects https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580705121854-X1RF2W86J57O1XIE89J9/EWO_Diagram_Final_WEBSITE_Lahore.png 136 MB / Exhibition Without Objects http://www.sadiashirazi.com/curating/230-mb-exhibition-without-objects daily 0.75 2020-11-30 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458103002297-2YNC8IKA8MIRQWOA9WR8/EWO_Diagram_Final_WEBSITE.png 230 MB / Exhibition Without Objects Diagram of Exhibition Without Objects designated route of travel. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458009057202-4HBIC1BX9U2VIVWBMHCI/IMG_2880.jpg 230 MB / Exhibition Without Objects Exhibition view of 230 MB / EwO (2013), photograph by Tenzing Sonam. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458008958982-D4NVULNSFD8OBLVMH8I7/IMG_2896.JPG 230 MB / Exhibition Without Objects Exhibition view of 230 MB / EwO (2013), photograph by Tenzing Sonam. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458009020631-SBFH1MEWXZSSV25MS3RF/IMG_2935.jpg 230 MB / Exhibition Without Objects Exhibition view, to the left is Mehreen Murtaza's This Film Should Be Played Loud (2012) and Iqbal Geoffrey's The Written Versus the Art Writ (2013). Photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458008968411-M3BQ1ATZVER3DLML9KVM/IMG_2933.jpg 230 MB / Exhibition Without Objects Exhibition view, to the left is Rabbya Naseer and Hurmat Ul Ain, Reenactment (2012) and at right, Mehreen Murtaza, This Film Should Be Played Loud (2012). Photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458008946775-XX9ZQJ3N4SI9A0K465QY/IMG_2829.JPG 230 MB / Exhibition Without Objects Exhibition view of 230 MB / EwO (2013), photograph by Tenzing Sonam. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458000443774-O8G6WXJ73HSAX890B0FJ/IMG_3029.jpg 230 MB / Exhibition Without Objects Exhibition view of Saira Sheikh and Neha Mirza's event Deinstall (2013). Photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458008979146-C4DF4DR6M4ZCAJFNCDXJ/IMG_2821.JPG 230 MB / Exhibition Without Objects Exhibition view of 230 MB / EwO (2013), photograph by Tenzing Sonam. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458000602056-RRK7CM3QZ5561TIKSTOO/IMG_2863.JPG 230 MB / Exhibition Without Objects Exhibition view of visitors participating in Rabbya Naseer and Hurmat Ul Ain's event, Cross Connection (2013). Photograph by Tenzing Sonam. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458000665000-S6RMWD3DAXWF6EBB3R0Q/IMG_2925.JPG 230 MB / Exhibition Without Objects Exhibition view of Seher Shah's event Landscape Proposals (2013). Photograph by Tenzing Sonam. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458000635424-EEV0ZRO9EKM18N0F9VHM/IMG_2913.JPG 230 MB / Exhibition Without Objects Exhibition view of Seher Shah's event Landscape Proposals (2013). Photograph by Tenzing Sonam. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1458009480446-Q9IZ105D89TA0D4ROY2D/IMG_2928.JPG 230 MB / Exhibition Without Objects Exhibition view, photograph by Tenzing Sonam. http://www.sadiashirazi.com/curating/foreclosed-between-crisis-and-possibility daily 0.75 2020-11-16 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1466464646851-SO8P2E3IPNPWAH76KABB/Farocki_Installation01.jpg Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1466465587883-EUXF6HMC15MLOBAZTHBE/DSC_0104.JPG Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1466464753720-RUSLN5CXKUFKENIFEOI1/DSC_0167.jpg Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468527046313-SCXSFLZKVVBMD5QW7M5K/Plaftorms_Website.jpg Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468526566534-6SRFGAUQ6F8SIKXE9S52/Barrada_Smuggler_website.png Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1466215341459-QIJX35IG44FE3I5LBQSP/Yto_Smuggler.jpg Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468526660937-B785QZU8K746W0JGUEPZ/Shrigley_Installation_website.png Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468526300748-J18CBIW0OUCQ91UH85W5/Farocki_Installation04_website.png Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1466464700187-PG9FBM1SY4J6ROOZ0N7A/DSC_0093.jpg Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468526274187-AVM7G9GYU9DXPZHYOH52/Aljafari_Installation_website.png Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468526262276-HTORZAQKRTHRUQPSQKMA/Aljafari_wrbsite.png Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468526994317-6YVO5X5M81CI5LVQ851K/Aljafari_POM02.png Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468526289214-R109BR1WGKGB0JLK551B/Closky_Installation_website.png Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1466464579455-TO1RHNO1VCFN45OMRY56/Barrada-Vacant+Lot%2C+Tanger+2001%2C+60x60cm%2C+p45.jpg Foreclosed. Between Crisis and Possibility https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1466215566230-1EP3Y8WCOELGQLUAUVRJ/Yto_Smuggler.jpg Foreclosed. Between Crisis and Possibility http://www.sadiashirazi.com/contact daily 0.75 2024-09-23 http://www.sadiashirazi.com/curating/welcome-to-what-we-took-from-is-the-state daily 0.75 2020-12-18 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1476242945620-PHX47NTBXPT1NDS1WBXS/WTWWTFITS_maininstallshot.jpg Welcome To What We Took From Is The State Ayesha Kamal Khan, This May Fall (chairlift) (2015) and Chitra Ganesh, Her Nuclear Waters (2013), exhibition view, photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1476242959696-QCX2PE0NTWF6KMJR5WWA/chitra_huma_intshot.png Welcome To What We Took From Is The State Chitra Ganesh, Her Nuclear Waters (2013) and Huma Mulji, Conversations with Karamatullah (2016), exhibition view, photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467240467860-KYMGBL7DV7RBZZZYMDO0/idshop_install.png Welcome To What We Took From Is The State Ayesha Kamal Khan, This May Fall (chairlift) (2015) and Sue Jeong Ka, ID Shop (2016), exhibition view, photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1476242981423-ENG6DT261S4YTF5PR8SX/installshot_front.png Welcome To What We Took From Is The State Huma Mulji, Conversations with Karamatullah (2016), exhibition view, photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467240058161-GC0VPZY4Y0YNVA6B08EO/huma_muli_install_website.png Welcome To What We Took From Is The State Close up of Huma Mulji, Conversations with Karamatullah (2016), exhibition view, photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467392477935-LXORX4H1GKKJ4CTP9MQ4/rajaakhalid_install_website2.png Welcome To What We Took From Is The State Raja'a Khalid, Black Agar, Black Agar (2016), exhibition view, photographer unknown. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467240489210-IF7T41FLNW2CP4JCI9JD/install_wall_website.png Welcome To What We Took From Is The State Exhibition view with Raja'a Khalid, Black Agar, Black Agar (2016) in foreground, photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1476243021453-IDHQ4QPVLLQ7YB5V7ND7/IMG_2112.JPG Welcome To What We Took From Is The State Umber Majeed, Still Life (2013), exhibition view, photograph by Leonardo Bonanni. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1476243041896-9B8AUKXUTJU7YOBSFQBW/gelare_installshot.png Welcome To What We Took From Is The State Exhibition view of Gelare Kohgozaran, UNdocumentary (2016) and Ayqa Khan, Fariha Róisín, and Nafisa Kaptownwala, Untitled (2016), photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467240505890-TB2PPAQNLACMWW3HYAQZ/exhibitionview_website.png Welcome To What We Took From Is The State Exhibition view, with Anushya Badrinath's video Kuwait, Egypt, India (2013-16) to the left alongside Chitra Ganesh and Mariam Ghani's lightboxes The Index of Democracy Is The Interval Between Inquiry and Info (2013) and Reasonable Articulable Suspicion (2013), photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1510745426681-HE5D336XM2C4PHOIL924/WTWWTFITS_maininstallshot.jpg Welcome To What We Took From Is The State http://www.sadiashirazi.com/curating/conversations-between-us daily 0.75 2020-04-20 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1477177242048-7CRULBUJ1H6D5OSM8ZMQ/IMG_2168_small.jpg Conversations Between Us https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1477176940548-3FRTQRGIRE8TQ4ZQILM6/IMG_2169_small.jpg Conversations Between Us http://www.sadiashirazi.com/curating/city-as-stage daily 0.75 2020-04-20 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467914480057-K4ZTCMNC6VOCO672T4SZ/city_as_stage_website.jpg City As Stage "City As Stage," Public Platform of the exhibition Foreclosed. Bewteen Crisis and Possibility (2011) at The Kitchen, New York City. Photograph by Maria Domenica Rapicavoli. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467913481915-IJEZXN99UZHR6TN1GUYU/DSC_0768_small.jpg City As Stage "City As Stage," Public Platform of the exhibition Foreclosed. Bewteen Crisis and Possibility (2011) at The Kitchen, New York City. Photograph by Maria Domenica Rapicavoli. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467913505923-YTVQ2YFCQZYVVBDMPNCK/DSC_0749_small.jpg City As Stage "City As Stage," Public Platform of the exhibition Foreclosed. Bewteen Crisis and Possibility (2011) at The Kitchen, New York City. Photograph by Maria Domenica Rapicavoli. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467914068483-3YDUODWL9219ZSD74RWK/DSC_0752.jpg City As Stage "City As Stage," Public Platform of the exhibition Foreclosed. Bewteen Crisis and Possibility (2011) at The Kitchen, New York City. Photograph by Maria Domenica Rapicavoli. http://www.sadiashirazi.com/curating/foreclosure-foreclosed daily 0.75 2020-04-20 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1477256502348-KVW5XU6XTC3GIN1Z6SA4/foreclosureforeclosed_website.jpg Foreclosure / Foreclosed "Foreclosure / Foreclosed" Public Platform of the exhibition Foreclosed. Between Crisis and Possibility (2011) at The Kitchen, New York City. Photograph by Park MacArthur. http://www.sadiashirazi.com/curating/forgotten-spaces daily 0.75 2020-04-20 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467783631280-SKBJMIJS7SFL9Z26X8AY/sekula+and+burch Forgotten Spaces Still from Noël Burch and Allan Sekula's The Forgotten Spaces (2012). http://www.sadiashirazi.com/curating/art-histories daily 0.75 2020-11-11 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467925434501-OLZU5IULS9VOKVPACVKU/AConversation_KavitaSinghAndI.jpg Art Histories https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1467925704089-ZIP5U2F2MGM76GYR0QI6/program_website.jpg Art Histories http://www.sadiashirazi.com/curating/immigrant-movement-international daily 0.75 2020-11-16 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468020207487-FL56586L6L8M4GW8POHX/image-asset.png Immigrant Movement International Tania Bruguera, A Contract of Moral Commitment to Promote Immigrant Rights, 2011. http://www.sadiashirazi.com/curating/post-script daily 0.75 2020-11-11 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468260436812-0FLLSNV8N889F0O9TIP5/IMG_4908_Disc.JPG Post-Script https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468260515907-8L9CLTBMU4G7NXRJS991/IMG_4932_Disc.JPG Post-Script https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468260545648-DSY5XL15AVQHV0NZ5CTW/IMG_4928_Disc.JPG Post-Script http://www.sadiashirazi.com/press daily 0.75 2021-05-10 http://www.sadiashirazi.com/curating/soft-and-wet daily 0.75 2021-02-22 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596584964218-K2LPVVDHIR03YX8ACKIF/image-asset.png Soft and Wet https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580322088414-GBTKUJBVEXG3C2BCAXHH/SoftAndWet_Group_01.jpg Soft and Wet Installation view of Soft and Wet. Works (left to right): Zarina, Corners, 1980; Zarina, I Whispered to the Earth, 1979; Julie Tolentino, ...soft as a lion, wet as the night, 2019; Caroline Key, Khôra, 2019; Andy Robert, After Prince, 2019; Crystal Z Campbell, Portrait of a Woman I & II, 2013; Crystal Z Campbell, HeLa Project: Friends of Friends (Six Degrees of Separation), 2013. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579882800563-SXJC8PWP5KRT7H5QFV7L/SoftAndWet_Group_03.jpg Soft and Wet Installation view of Soft and Wet. Works (left to right): Arooj Aftab, Soft and Wet, 2019; Julie Tolentino, ...soft as a lion, wet as the night, 2019; Ana Mendieta, Burial Pyramid, 1974. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579883020168-WIGNX26CFGWYOEHS5VQ6/20190717_EFA_Soft-and-Wet_283_02_WL_FLAT.jpg Soft and Wet Installation view of Soft and Wet. Work: Julie Tolentino, ...soft as a lion, wet as the night, 2019. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579883040071-TPKSLNHJGHXGL7L4QQTA/20190717_EFA_Soft-and-Wet_305_02.jpg Soft and Wet Installation view of Soft and Wet. Work: Julie Tolentino, ...soft as a lion, wet as the night (detail), 2019. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580321609909-AXLB1HI0FDKWBSE6HIEQ/GP+1198+-+Burial+Pyramid_3.jpg Soft and Wet Ana Mendieta, Burial Pyramid, 1974 Super-8mm film transferred to high-definition digital media, color, silent. Running time: 3:17 minutes. © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong & Co. Licensed by Artists Rights Society (ARS), New York https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579882861786-X91DAAGVH4REATG08P3U/SoftAndWet_Aftab_01.jpg Soft and Wet Installation view of Soft and Wet. Work: Arooj Aftab, Soft and Wet, 2019. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579882802195-QUL2FNT46P9L9GAYA53R/SoftAndWet_Group_04.jpg Soft and Wet Installation view of Soft and Wet. Works (left to right): Andy Robert, After Prince, 2019; Crystal Z Campbell, Portrait of a Woman I & II, 2013; Crystal Z Campbell, HeLa Project: Friends of Friends (Six Degrees of Separation), 2013; Beverly Buchanan, City Walls sketchbook, 1976-77. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579882830977-1GGFT3O9EJ972YFKP6E3/SoftAndWet_Robert_01.jpg Soft and Wet Installation view of Soft and Wet. Work: Andy Robert, After Prince, 2019. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579882856341-A6IDKLFI63UD0JB463D7/SoftAndWet_Robert_03.jpg Soft and Wet Installation view of Soft and Wet. Work: Andy Robert, After Prince (detail), 2019. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579882947811-SIDXBVWAFNSPRWFOZ116/SoftAndWet_Campbell_01.jpg Soft and Wet Installation view of Soft and Wet. Work: Crystal Z Campbell, HeLa Project: Friends of Friends (Six Degrees of Separation), 2013. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579882977061-LCD60GNRSTRS3MPH95KJ/SoftAndWet_Campbell_04.jpg Soft and Wet Installation view of Soft and Wet. Work: Crystal Z Campbell, Portrait of a Woman I & II (detail), 2013. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579882972355-I1DWPQ5FWECEIY6DUZU8/SoftAndWet_Campbell_05.jpg Soft and Wet Installation view of Soft and Wet. Work: Crystal Z Campbell, Portrait of a Woman I & II (detail), 2013. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579882883529-UNYOYV9LSREER55HQ6ZQ/SoftAndWet_Buchanan_01.jpg Soft and Wet Installation view of Soft and Wet. Work: Beverly Buchanan, City Walls sketchbook, 1976-77. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579882886964-5Y9AOGO9ORQGER23F88J/SoftAndWet_Buchanan_02.jpg Soft and Wet Installation view of Soft and Wet. Work: Beverly Buchanan, City Walls sketchbook (excerpt), 1976-77. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579882910423-XY4KN0L4BRP8FBLOT1Q7/SoftAndWet_Key_03.jpg Soft and Wet Installation view of Soft and Wet. Work: Caroline Key, Khôra, 2019. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580322471587-GWG2R84H72SDNAI2LI7B/SoftAndWet_Zavitsanos_02.jpg Soft and Wet Installation view of Soft and Wet. Works: Zarina, Corners, 1980; Zarina, I Whispered to the Earth, 1979; Constantina Zavitsanos, glory, 2013. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579883142542-3F1TIFL1JOIR0KLE2HY1/SoftAndWet_Zarina_02.jpg Soft and Wet Installation view of Soft and Wet. Works: Zarina, Corners, 1980; Zarina, I Whispered to the Earth, 1979. Photograph by Matt Vicari https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1579883119074-XAEUNXBNDAWBZ55YOZKP/SoftAndWet_Zavitsanos_04.jpg Soft and Wet Installation view of Soft and Wet. Work: Constantina Zavitsanos, glory (detail), 2013. Photograph by Matt Vicari http://www.sadiashirazi.com/writing/soft-and-wet daily 0.75 2020-11-25 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596584964218-K2LPVVDHIR03YX8ACKIF/image-asset.png Soft and Wet https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596585070981-4GOBYCDSK5QF612Y46X8/image-asset.png Soft and Wet https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596585094631-CYRN1L5WIHOGRI8J8FED/image-asset.png Soft and Wet https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596585118202-BHTXRF4C9KTIYYCDL6VG/image-asset.png Soft and Wet https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596585141308-HBY8P5OENE1F4PJH8A66/image-asset.png Soft and Wet https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596585164627-TA3E7FTKN47BE8WYY4F7/image-asset.png Soft and Wet https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596585189172-VCIDT39IBYOFXWG0YJM8/image-asset.png Soft and Wet https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596585227589-4Q6GAIPEFNXX306GR5U7/image-asset.png Soft and Wet https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596585251723-0YT9QUG22D0AWT6R0VO8/image-asset.png Soft and Wet https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596585273535-GFYC84WEEN5VRCQ6WY3Z/image-asset.jpeg Soft and Wet http://www.sadiashirazi.com/writing/feminism-for-me-was-about-equal-pay-for-equal-work daily 0.75 2020-04-20 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583871580828-MHWVBWDZ5VAP4BBNC1O7/Zarina_web_CCCR-Full.jpg Feminism for Me Was About Equal Pay for Equal Work—Not About Burning Bras: Interview with Zarina Zarina, Home is a Foreign Place, 1999 © 2018 Zarina; Acquired through the generosity of Marie-Josée and Henry R. Kravis in honor of Edgar Wachenheim III https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583871511002-8YJCK0Q4CD5HOB46WY7R/Zarina_HeresiesSpread.jpg Feminism for Me Was About Equal Pay for Equal Work—Not About Burning Bras: Interview with Zarina “Third World Women: The Politics of Being Other,” Heresies: A Feminist Publication on Art and Politics, issue 8, vol. 2, no. 4 (1979) https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583871748413-WX0K5OMAAGO0ONYSZQX4/Zarina_web_Letter_from_Home_VII.jpg Feminism for Me Was About Equal Pay for Equal Work—Not About Burning Bras: Interview with Zarina Zarina, Letters from Home, 2004. © Zarina; Courtesy of the artist and Luhring Augustine, New York https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583871390550-0NMQLNF4CYVSTFEBOZ6C/Shirazi_Zarina_OnPrintmaking_Spread.jpg Feminism for Me Was About Equal Pay for Equal Work—Not About Burning Bras: Interview with Zarina Vrishchik 1, no. 7/8 (May/June, 1970). Courtesy of the archive of Gulam Mohammad Sheikh https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583871629044-XHAGU4Z2Z4N6GEPYE2BV/Zarina_web_Dividing_Line.jpg Feminism for Me Was About Equal Pay for Equal Work—Not About Burning Bras: Interview with Zarina Zarina, Dividing Line, 2001. © Zarina; Courtesy of the artist and Luhring Augustine, New York http://www.sadiashirazi.com/writing/guadalupe-rosales daily 0.75 2020-04-22 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580683717924-ZXELDB39DYDD1GS232A0/featured00_430x.jpg Guadalupe Rosales View of “Guadalupe Rosales: Legends Never Die, A Collective Memory,” 2018. http://www.sadiashirazi.com/writing/a-room-of-ones-own-zarina daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580687304366-TSY6BGTIPKVX0QSKAKTD/Zarina_03.JPG A Room of One’s Own: Zarina Zarina, Untitled, 2017. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580687070245-3HCTXBGIU1IX1OHY2B0B/Zarina_02.JPG A Room of One’s Own: Zarina Zarina, Untitled, 2017. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580686533151-S8Y48AEXIDSCDC4TO28R/Zarina_01.jpg A Room of One’s Own: Zarina Zarina, Untitled, 2017. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580688014931-7ENHNHBN0ARU9RE69Q8P/Zarina_04.jpg A Room of One’s Own: Zarina Zarina, Behind the Fence, 2017. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580688495707-G8OYCC7QAU3EOZ1XDHML/Zarina_05.JPG A Room of One’s Own: Zarina Zarina, My Dark House at Aligarh, 2017. http://www.sadiashirazi.com/writing/the-cuts daily 0.75 2020-04-20 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580761851175-L3A2QXBC5KMUCW79MFQG/NoBans_HighRes_Four_wbe.jpg the cuts. Dylan A.T. Miner, No Bans on Stolen Lands, 2017. http://www.sadiashirazi.com/writing/subject-exhibition-without-objects daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583959618642-1903JP8CVO4M8YAFOPMT/Scan_20200311.jpg SUBJECT: Exhibition Without Objects http://www.sadiashirazi.com/writing/welcome-to-what-we-took-from-is-the-state daily 0.75 2020-11-25 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580763243588-NAW4G91G5XNYOLUEES48/image-asset.png welcome to what we took from is the state - catalog essay Chitra Ganesh, Her Nuclear Waters, 2013. http://www.sadiashirazi.com/writing/on-exhibition-without-objects-flatness-file-size-and-hard-drives daily 0.75 2020-04-20 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583898901488-9HRHNATG392JL1PM6QQ8/Sadia-8.jpg On Exhibition Without Objects — Flatness, File Size, and Hard Drives George Maciunas, Fluxkits. Three examples assembled between 1965 and 1969 © George Maciunas Foundation Inc. 2013 All Rights Reserved. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580767829937-HM3IC0V023H90H9M0HGR/Sadia-1.jpg On Exhibition Without Objects — Flatness, File Size, and Hard Drives EXHIBITION WITHOUT OBJECTS, Exhibition diagram, 2013. Image courtesy of Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583898686998-WQG90M83GS0B6GO26TUN/Sadia-2.jpg On Exhibition Without Objects — Flatness, File Size, and Hard Drives Installation photographs of 136 MB / EXHIBITION WITHOUT OBJECTS at The Drawing Room Gallery, 2012, and 230 MB / EXHIBITION WITHOUT OBJECTS at Khoj International Artists’ Association, 2013. Images courtesy of Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583898932826-7O7VHWJ2NBAE7S3VB0UH/Sadia-9.jpg On Exhibition Without Objects — Flatness, File Size, and Hard Drives Lucy Lippard, 4,492,040 (1969-74), Catalogue for Numbers Shows. Image courtesy of Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583898870338-GQE98OCP5CN8WPDOXEZ1/Sadia-7.jpg On Exhibition Without Objects — Flatness, File Size, and Hard Drives Marcel Duchamp and Rrose Sélavy’s La Boite-en-Valise, 1941. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583898959632-WIVXFNQ9FAPZTMQYMSLU/Sadia-10.jpg On Exhibition Without Objects — Flatness, File Size, and Hard Drives Guy Bleus, W.A.A. (World Art Atlas), 1983. Courtesy of Richard Kostelanitz. Image courtesy of Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583898822398-Q4O4CV4PPG2DO92BWTW4/Sadia-6.jpg On Exhibition Without Objects — Flatness, File Size, and Hard Drives EXHIBITION WITHOUT OBJECTS, Letter of invitation to Seher Shah for the Delhi iteration of EWO, 2013. Image courtesy of Sadia Shirazi. http://www.sadiashirazi.com/writing/postcommodity daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580755491243-6H0SZDDUYB013J475H51/cmag134.jpg Postcommodity with Sadia Shirazi http://www.sadiashirazi.com/writing/city-space-power daily 0.75 2020-04-22 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1584028405288-TLDUV9YGBB3RTEZ1LE8T/table_02_edited-1.jpg City, Space, Power: Lahore's Architecture of In/Security Historical Table by Sadia Shirazi https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1584028007000-KQQWHGA3DJJNZKDYJYC7/karbalagameshah_awesome_img_5033.jpg City, Space, Power: Lahore's Architecture of In/Security Entrance to Karbala Gamme Shah with security barriers and police. Photograph by Julius John. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580772231905-6NEKOCXBLN924EH25EYA/lahorepressclub_women_2012.jpg City, Space, Power: Lahore's Architecture of In/Security Lahore Press Club, 2012. Courtesy of Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1584028239896-RMMGYUN6NK2M75DA1MMV/fia_templeroad_ok_img_5313.jpg City, Space, Power: Lahore's Architecture of In/Security Concrete barriers and new concrete wall outside the FIA headquarters on Temple Road. Photograph by Sadia Shirazi https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1584028254814-FG50XU2UOCP52P4SIEQQ/governorshouse_barriers_img_5324.jpg City, Space, Power: Lahore's Architecture of In/Security Multiple layers of security barriers creeping onto Mall Road outside the entrance to the Governor’s House. Photograph by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1584028077311-39XZSCG2LYEWP7OFQWIU/lahore_01_prstn_edit-1.jpg City, Space, Power: Lahore's Architecture of In/Security Map by Sadia Shirazi. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1584027750455-XAUSXRP8RIZDWTLDXPPY/gpo_attack_amazinghorse_2008.jpg City, Space, Power: Lahore's Architecture of In/Security The High Court bomb aftermath that targeted police stationed there prior to a lawyer’s protest; the General Post Office (GPO) in the background is across the street from the courthouse. Photograph by Max Becherer/Polaris. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1584028030689-2VBKIQRLJRRW8G6DGFTH/dattadarbar_security_img_4984.jpg City, Space, Power: Lahore's Architecture of In/Security Datta Darbar (Datta Ganj Bahksh) fortified by concrete barriers and barbed wire and heavily staffed by police. Photograph by Julius John. http://www.sadiashirazi.com/writing/construction-and-destruction-in-cinematic-spaces daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468259496763-18F96CDIX4YHRMR1N3QO/Farocki_brick01.jpg Construction and Destruction in Cinematic Spaces Harun Farocki, still from In Comparison, 2009. 16mm film, color, sound; 61 min. Courtesy Harun Farocki Filmproduktion, Berlin. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468259317309-XEU9FT3LCKXQZQ5AQJD8/Farocki_Germany_SingleMan03.jpg Construction and Destruction in Cinematic Spaces https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583964570566-2G3ZYMUGO75QGAM8DK1Z/Aljafari_interiorFamilyShot04.jpg Construction and Destruction in Cinematic Spaces Kamal Aljafari, stills from Port of Memory, 2009. 16mm film, color, sound; 63 min. Collection of the artist; courtesy of the artist. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583964696106-5RP9AZ0T003PUEAGP2BB/Aljafari_InteriorStreet05.jpg Construction and Destruction in Cinematic Spaces https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1468259327000-5V8042XNK2UTPKUCSSYR/Farocki_India_Woman02.png Construction and Destruction in Cinematic Spaces Harun Farocki, stills from Comparison via a Third, 2007. 16mm film, double projection, color, sound; 24 min. Courtesy Harun Farocki Filmproduktion, Berlin. http://www.sadiashirazi.com/writing/cinematic-occupation-kamal-al-jafaris-port-of-memory daily 0.75 2020-04-20 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583901576261-Y6RZM0E6U6FLG2X1O059/Aljafari_interiorFamilyShot04.jpg Cinematic Occupation: Kamal Al Jafari's Port of Memory Kamal Aljafari, still from Port of Memory, 2009. 16mm film, color, sound; 63 minutes. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583901604748-G0XEXYVQNQGTU4A0IYRZ/Aljafari_InteriorStreet05.jpg Cinematic Occupation: Kamal Al Jafari's Port of Memory Kamal Aljafari, still from Port of Memory, 2009. 16mm film, color, sound; 63 minutes. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580769948736-COB7PA9QYC4ZPFG8KBMB/FILMPOSTER.jpg Cinematic Occupation: Kamal Al Jafari's Port of Memory Kamal Aljafari, still from Port of Memory. Courtesy of the artist. http://www.sadiashirazi.com/writing/cairos-al-azhar-park daily 0.75 2020-04-22 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580778915631-PAUMICC5HDD2AU70H1ET/3_031_feature.jpg Cairo's Al Azhar Park Ayyubid Wall during restoration. Courtesy of Aga Khan Trust http://www.sadiashirazi.com/writing/delhicentric-zarinas-paper-like-skin daily 0.75 2020-04-22 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583896911035-U1WJYC99CFUAM5IC69IB/19-Evening.jpg Delhicentric: Zarina's Paper Like Skin https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583896687567-IEAMJ92E8FLQZ1DYC24W/Home+is+a+Foreign+Place.jpg Delhicentric: Zarina's Paper Like Skin Zarina Hashmi, Home is a Foreign Place, 1999. Portfolio of 36 woodcuts with Urdu text printed in black on Kozo paper, mounted on Somerset paper. Edition of 25. Block size: 8 x 6 inches each. Sheet size: 16 x 13 inches each. Image courtesy of Luhring Augustine Gallery, New York. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580767298929-O28VH55MYFX51PJ1K13W/dividingline.png Delhicentric: Zarina's Paper Like Skin Zarina, Dividing Line, Woodcut printed in black on Indian handmade paper mounted on Arches Cover white paper, 2001. Image courtesy of Luhring Augustine Gallery, New York. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583896827691-4UZ0M7XB84AQE65QELE7/13-Morning.jpg Delhicentric: Zarina's Paper Like Skin https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583896867356-GXBHI8OM8JRO0VWPHGMI/16-Afternoon.jpg Delhicentric: Zarina's Paper Like Skin http://www.sadiashirazi.com/writing/foreclosed daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580773293514-J9XAPY59O3QVHSWPQ4NA/4131rfqR0QL._SX316_BO1%2C204%2C203%2C200_.jpg Foreclosed: Between Crisis and Possibility Catalog Foreclosed: Between Crisis and Possibility. Whitney Museum of American Art. 2011. http://www.sadiashirazi.com/writing/formalisms daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583956629312-YBMTWGNW0PD9QNCD61Z7/Scan_20200311+%2825%29.jpg Formalisms thresholds 33: Formalisms, MIT Journal, Spring 2008. http://www.sadiashirazi.com/writing/europe-europe-europe daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583891358288-GVHMZQQ3VC0CLHODQV1U/ChantAvedissian_Um_Kalthoum.png Europe, Europe, Europe Chant Avedissian, Sitt El Kol (Umm Kalthoum), 1994. Image courtesy of the artist. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580765583644-ERAS5BGG81IR31EQAFTA/Ernestito.jpg Europe, Europe, Europe Chant Avedissian, Ernestito (The Young Che Guevara), 1994. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583891243645-8S1LEWB6MAJZGY2IFMUZ/ChantAvedissian_2.png Europe, Europe, Europe Photograph from the artist`s archive. 1970s. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583891282497-FPRDNPZR3VIFWLXJVVDD/ChantAvedissian.png Europe, Europe, Europe Chant Avedissian, Bint Karya (The Village Girl), 1991. Image courtesy of the artist. http://www.sadiashirazi.com/writing/230-mb daily 0.75 2020-04-22 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580768271224-565X68YYFEPBCEIQBZKF/AW-FINAL%2BEWO%2BPAMPHLET-01.png 230 MB / Exhibition Without Objects Catalog 230 MB, Exhibition Without Objects, Exhibition catalogue, Khoj Artists' Association, 2013. http://www.sadiashirazi.com/writing/stretched-terrains daily 0.75 2020-04-22 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580754837907-KWZ51963CH86VX9DLQHO/picksimg_430x.jpg Stretched Terrains View of “Stretched Terrains,” 2017. http://www.sadiashirazi.com/writing/136-mb daily 0.75 2020-04-22 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1580771524248-0SHTCHTNW10XCMIXHH28/230MB_EWO_PAMPHLET_02.png 136 MB / Exhibition Without Objects Catalog 136 MB, Exhibition Without Objects, Invitation card, The Drawing Room Gallery, 2012. http://www.sadiashirazi.com/writing/lahore-insecurity daily 0.75 2020-04-22 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583894128130-OV62YILUDS450MGIO37I/Excerpt+-+Sadia_Page_2_Image_0003.jpg Lahore: Architecture of In/Security Entrance to the Governor’s House. Photograph by Sadia Shirazi (2012). https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583893787918-9SB5FRBI2XBX3L4IDKCT/Excerpt+-+Sadia_Page_2_Image_0001.jpg Lahore: Architecture of In/Security Outside the Federal Investigation Agency. Photograph by Sadia Shirazi (2012). https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583893838458-8LIEWZZ3DFFAXY2GAQ6N/Excerpt+-+Sadia_Page_2_Image_0004.jpg Lahore: Architecture of In/Security Outside the National Bank of Pakistan. Photograph by Sadia Shirazi (2012). https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583894236817-ND9XPUCE9XVDYZQGOI7W/Excerpt+-+Sadia_Page_3_Image_0001.jpg Lahore: Architecture of In/Security Outside Datta Darbar. Photograph by Julius John (2012). https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583893953300-V9Y6U2UGOCW9HZLK25AZ/Excerpt+-+Sadia_Page_2_Image_0002.jpg Lahore: Architecture of In/Security Entrance to Karbala Gamme Shah. Photograph by Julius John (2012). https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583893641649-5NKBM9S1GFW43WBWCH0I/map.PNG Lahore: Architecture of In/Security “Lahore Bomb Blasts (2008-2012).” Map created by Sadia Shirazi (2012). https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1583893290870-GQLTBRLJLVIJZFNC19QG/Excerpt+-+Sadia_Page_1_Image_0001.jpg Lahore: Architecture of In/Security Photograph by Gullhem Vellut (2013). http://www.sadiashirazi.com/events daily 0.75 2025-07-15 http://www.sadiashirazi.com/about daily 1.0 2025-07-15 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1586381038624-VPQ8G6FZSJEN1CMCDQS6/sadia_noblesavage_editLRG.jpg About Photo by Ali http://www.sadiashirazi.com/writing daily 0.75 2025-07-15 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/c8081846-6881-405c-98f6-f6232da9b5f1/Screenshot+2025-07-14+at+8.02.40%E2%80%AFPM.png Writing - Make it stand out Lucy Raven, Murderers Bar, 2025. Production still from moving image installation, 41:40 minutes. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/860104a1-beab-43b0-9893-190148454a9e/herman_miller_actionoffice.jpeg Writing - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/55e2d34a-5554-4a22-b5cb-007597ada155/RapaNui.png Writing - Make it stand out Top: Queen Elizabeth at her coronation, the Koh-i-Noor diamond adorns her crown, 1953. Below: Screenshot of The British Museum website, of an Object known as a Moai (Ancestor Figure), with the title given as ‘Hoa Hakananaiʻa ('lost, hidden or stolen friend'),’ accessed 3 April 2023. https://www.britishmuseum.org/collection/object/E_Oc1869-1005-1 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/704c419f-a060-4b8f-ad7a-f608be46bd5f/EwO_Diagram.jpg Writing - Make it stand out Exhibition Without Objects, Diagram of route of travel, 2022. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/f3d86f4b-b2fe-420b-bdc2-f84273230869/Screen+Shot+2024-02-21+at+11.28.07+AM.png Writing - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/7705bc22-1009-45c7-a235-176711ef0913/Number+66+copy.jpg Writing - Make it stand out Chant Avedissian, Sitt El Kol (Umm Kalthoum), 1994. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/5705c5f3-801c-4b3e-81ee-0c32e90d77da/dialectics-isolation.jpg Writing Ana Mendieta, Kazuko Miyamoto and Zarina, curators, Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States, exh. cat. (New York: A.I.R. Gallery, 1980). Courtesy of A.I.R Gallery. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/5c441a58-ede4-4599-805a-54195fa98265/Zarina_KrishnaReddy_Paris_1960.png Writing - Make it stand out Zarina at Atelier 17, Paris, circa 1960s. Photograph by Krishna Reddy. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/11cb48cc-5330-49cf-b7bb-5ddee7dd6117/ZH_Untitled+%28Geometric+B%26W+02%29_2017.JPG Writing - Make it stand out Zarina, Untitled, 2017. Collage on paper. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/c829fc20-b092-4f2d-8820-31feb2724abf/Zavitsanos_01_L%26D.jpg Writing - Make it stand out Constantina Zavitsanos, L&D Motel, 2019, organized by Alex Fleming and Andrew Kachel, installation view at Participant Inc, New York. Photo: Mark Waldhauser. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/7317fa82-f453-434d-961c-b4f19ca211b9/AlanRuiz_mrpj54_final_PRESS-1.png Writing - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/d8b6d2af-1716-4293-8830-01700039d7f2/Bidoun_Hair.png Writing - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1fe67370-540e-4fef-b627-674c2462996d/Zavitsanos_Wishing+Well-Korpi%CC%81_DETAIL_Artists+Space_2024_Photo-Carter+Seddon_SMALL.jpg Writing - Make it stand out Constantina Zavitsanos, Wishing Well (Korpí) [detail], 2023/24, open water (Korpí natural mineral spring water, distilled water and sourced mineral specimens), stereo sound and infrasonics, sine wave generator, speakers, transducers, acrylic, wood, LEDs, 424.2 × 210.8 × 48.3 cm. Courtesy: Artists Space, New York, and the artist; photograph: Carter Seddon. Image description: In the dark, a modular structure set in the floor hosts open water that shows several distinct ripple patterns in motion on its surface. http://www.sadiashirazi.com/teaching daily 0.75 2023-09-17 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1608314389190-8EPITE31C5IYI2C0KZ5W/zurita Teaching Raúl Zurita, documentation of La vida nueva, 1982. Courtesy the artist. Photo by Ana María López. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1b762dbe-dac6-4b55-9cee-9b3bbf6bf816/Screen+Shot+2023-04-03+at+7.02.12+PM.png Teaching - Make it stand out Patty Chang, Foundatin, 1999. Video still. https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/55e2d34a-5554-4a22-b5cb-007597ada155/RapaNui.png Teaching - Make it stand out Screenshot of The British Museum website, of an Object known as a Moai (Ancestor Figure), with the title given as ‘Hoa Hakananaiʻa ('lost, hidden or stolen friend'),’ accessed 3 April 2023. https://www.britishmuseum.org/collection/object/E_Oc1869-1005-1 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/7abb5372-af4b-4c91-88d4-7bd86421ffbe/Screen+Shot+2023-04-03+at+6.45.37+PM.png Teaching - Make it stand out From left to right, student activists: Charles Brown, Afro-American Students Union; Ysidro Macias, Mexican-American Student Confederation; LaNada Means, Native American Student Union; and Stan Kadani, Asian American Political Alliance, protesting at UC Berkeley. (Source: Chicano Studies Program Records, Ethnic Studies Library, UC Berkeley, CS ARC 2009/1, Carton 1, Folder 14.) https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1608314778524-176G90MEHK3B2P65NN3T/isp+AAHDH Teaching Julie Dash and Jawole Willa Jo Zollar, Praise House, 1991. Video still courtesy Julie Dash and Twin Cities PBS http://www.sadiashirazi.com/writing/the-cubicle-and-the-colorline daily 0.75 2020-08-02 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596398621781-ZUP0GMSGMU486C72NSJC/Screenshot+%2831%29.png The Cubicle and the Color-Line Jessica Vaughn, still from video, 2019. http://www.sadiashirazi.com/writing/there-is-a-bounty-in-what-is-lost daily 0.75 2021-06-27 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1596236678169-KK3L9V6I5BM9YH41ZWW8/AlanRuiz_mrpj54_final_PRESS-1.png There is a bounty in what is lost Spatial Practice, ed. Alan Ruiz, Movement Research Performance Journal, Spring 2020. http://www.sadiashirazi.com/writing/a-spectral-sumud-jaffa-in-kamal-aljafaris-port-of-memory daily 0.75 2020-11-17 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1605521200075-MDWBGW6IATWXNIPHD44K/PortofMemory_Still_hands.png A Spectral Sumud: Jaffa in Kamal Aljafari's Port of Memory Kamal Aljafari, still from Port of Memory (2010). http://www.sadiashirazi.com/writing/constantina-zavitsanos daily 0.75 2020-11-10 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1605023255430-OWS2RI2BIS2B3K796WKU/cz.jpg Constantina Zavitsanos Constantina Zavitsanos, Boxed Bet (detail), 2019, transmission holograms, acrylic mounts, 5mW red laser, dimensions variable. http://www.sadiashirazi.com/curating daily 0.75 2024-02-21 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/82aa10a8-12be-413f-8782-a6d9bd0aec93/02020_pic.jpeg Curating - 02020 Counter-Archive Audio-documentary, Performance Space New York, 2021-Present http://www.sadiashirazi.com/talks daily 0.75 2024-02-21 http://www.sadiashirazi.com/writing/arooj-aftab daily 0.75 2021-05-03 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/1620052539109-I5M9JBTEXM9VBKG0WC4Z/article00_1064x.jpg Arooj Aftab Arooj Aftab. Photo: Diana Markosian. http://www.sadiashirazi.com/writing/bani-abidi-the-man-who-talked-until-he-disappeared daily 0.75 2022-10-03 https://images.squarespace-cdn.com/content/v1/56ca263120c647f079d5d99b/97fa4069-58c2-4dd7-84bb-c78ee147a670/bani-abidi-the-man-who-talked-until-he-disappeared.jpg Bani Abidi's The Man Who Talked Until He Disappeared - Make it stand out Bani Abidi, The man who talked until he disappeared, 2019/2021. Watercolor on paper, 24 parts, each 23 x 30 cm. Image courtesy of the artist and Kiran Nadar Museum of Art.